Published on Oct 27, 2001
For an artist renowned for his spectacular live show, there have
been precious few official live releases over the course of Alice
Cooper’s career…the only previous official live album,
The Alice Cooper Show, was released in 1977, and it has been
saddled with a bad reputation ever since, despite the fact that to
my ears it isn’t bad at all. That particular disc probably suffers
more from the fact that it came out after the early 70’s peak years
of the Alice Cooper group.
Alice himself admitted that one of his goals for many years was
to release a really kick ass live album to make up for the weak
effort he considers
The Alice Cooper Show to be. It seems strange to me that he
didn’t release any live material during any of his mammoth comeback
tours of the mid to late 80’s, but waited to release the excellent
A Fistful Of Alice in 1997, a time when he had all but
vanished from the mainstream consciousness.
It was recorded over two nights in June of 1996 in a town in
Mexico at the Cabo Wabo Cantina, some joint owned by the former
singer/frontman of Van Halen, Sammy Hagar. The recording and
production sound superb, maybe too much so…polish is a little
high, so could there possibly have been a few overdubs, here and
there?
As for the musicianship, Alice has backed himself up with the
usual assortment of unknown but brilliant musicians. The playing is
very tight and faithful to the original studio versions, and the
performances just ooze energy and enthusiasm from all involved…a
totally rocking experience! Some of the older songs are given quite
a bit more juice here…they sound a lot meatier and heavier, the
way they were supposed to. Particularly some of the older material
like “I’m Eighteen”, “Desperado” and “Elected” benefit from an
injection of power that gives them a much needed boost from the
studio versions of these songs. As great as these songs were the
day they were created, with this live recording it becomes so much
clearer just how innovative this stuff must have been in the early
70’s. And the brief Spanish flavoured intro tacked on to the
beginning of “Desperado” is simply gorgeous.
The album sticks to all the hits and quality songs from his best
albums, and wisely avoids weaker material. I mean, it says a lot
that there is only one song here representing the entire 1980’s
(“Poison”, of course), and only three songs written in the 90’s on
a CD that came out in 1997! It should also be noted that the
emphasis is placed squarely on the hard rocking element of Alice’s
past, virtually ignoring the essential theatrical side, and out of
the 13 tracks included here, only two are ballads. This certainly
makes for a high energy, powerful disc, but I personally would have
liked to have seen the inclusion of a few rarities or more
challenging tracks.
In addition to the highly talented backing band, Rob Zombie does
guest voacls on “Elected” and “Feed My Frankenstein”, sounding
quite a bit funnier than I think he would have liked, Slash from
Guns ‘N Roses plays lead guitar on “Lost in America”, “Only Women
Bleed”, and “Elected”, and Sammy Hagar himself shows us his
considerable lead guitar chops on “School’s Out”.
The bonus with live albums is that often standard songs get
changed in very interesting ways that you wouldn’t imagine, such as
the chorus of “Steven” making an uncredited intro to “Welcome To My
Nightmare” that works fantastically, or the unexpected inclusion of
the music from the twisted “Awakening” right in the middle of “Only
Women Bleed”…in fact those two gel so well together that I almost
didn’t notice the change…I sat there for about ten seconds
thinking to myself “Hey! Was that what I thought it was??”
The only thing that’s kinda weird is that throughout the
duration of the disc, you can barely hear the audience. I mean, it
was only recorded in a smallish club, but still, it feels like an
essential ingredient is missing that makes live albums the
interactive and infectuous experience that they are when done well.
As super charged and professional the performances are from Alice
and the band, the lack of audience feedback somewhat saps a bit of
energy from an otherwise splendid live disc.
There is one brand new studio track included at the end called
“Is Anyone Home?”, featuring classic lyrics from Alice once again
making tongue in cheek observations about certain aspects of
society, in this case the lost humanity of internet junkies. The
music on this track is excellent as well, as an upbeat sounding,
light hearted, mid tempo tune with a feel good 70’s type of pop
sound…it would not have been out of place on an album like
From The Inside for example.
Everything on
A Fistful Of Alice sounds great, and there are no major
misteps on any of these live renditions of classic songs. It
certainly is superior to its 1977 live counterpart,
The Alice Cooper Show, but if you’ve got a hankerin’ for
live sounds from the early Alice Cooper group era of the early
70’s, then I highly recommend that you purchase the new Deluxe
Edition of the
Billion Dollar Babies album, which includes a bonus second
cd of live tracks recorded during their legendary 1973 tour.
Despite my minor gripes that the tracklisting, while inarguably
amazing, doesn’t fully represent the diversity of the man’s output,
if you are just getting into Alice Cooper, this cd has plenty of
choice tracks covering his thirty-plus year career that
simultaneously makes
A Fistful Of Alice a fine greatest hits package.