Published on Apr 30, 2002
Shana Morrison comes by her musical pipes honestly. The daughter
of pop genius Van Morrison, she was singing from kindergarten. But
an early, straightforward exposure to the music business’s up and
downs led to her deciding on a “normal” career (in business
administration), only to get pulled back by the siren song of music
during graduate school. Her life has been an interesting mix of the
matter-of-fact and the glitzy, and one could argue that it shows in
her music, especially on her first release for Vanguard Records,
7 Wishes.
First off, this is a pretty damn good CD. (Let’s get that right
out in the open.) Morrison’s strengths are as a singer and
storyteller, and she nails a wide variety of emotions — wistful
resignation on “A Song For The Broken”, foolhardiness on “Smoke In
Bed”, and bright celebration on “Mother”. Her backing musicians are
competent, and the drums of Shawn Pelton and Hammond organ of Matt
Rollings are excellent. (I can’t help it, I’m a sucker for Hammond
organ.)
The production is tight and minimalist, letting the sound come
through. Very little by the way of effects is used, and that’s a
positive, as it would hide the natural expressiveness of Morrison’s
voice. She has the same ability to invest a phrase with emotion as
Alanis Morrisette, but her diction is better — sort of like a more
rock-oriented Billie Myers. (Come to think of it, her diction’s
better than her dad’s. But I digress.) She even handles a couple of
her dad’s songs — “Naked In The Jungle” and “Sometimes We Cry” —
with grace and talent.
The definite highlights, though, are “Day After Yes” and
“Connection” — and I don’t think you could pick two more varied
songs to mark as the best on
7 Wishes. The Eagles-like groove of “Day After Yes”, with
great background vocals by Chris Collins, captures the day after of
a first time perfectly, and the soft, searching spirituality of
“Connection” closes the CD perfectly.
7 Wishes is one of the best pop/rock albums I’ve heard this
year. Grab it.