Published on Jun 21, 2004
Yogi Berra once said, “You’ve got to be careful if you don’t
know where you’re going ’cause you might not get there.” Confused?
Now you know what I felt like after listening to
5150.
I honestly don’t have that much experience with Van Halen. I own
1984, and their
Greatest Hits and have heard various other tracks. However,
I think I have a good idea of what Van Halen was supposed to sound
like back in the day.
5150 to me is a departure from that previous sound. Was it
for the better? Wait and find out.
This album is known as being the first Van Halen album to
feature Sammy Hagar, who replaced former lead vocalist David Lee
Roth. So how does the change work out? Let’s just say this, David
Lee who? Roth was never a great vocalist in my eyes. This is
probably considered sacrilege, but I believe Roth was just there
because the band needed someone to sing the songs, while Eddie Van
Halen tore it up. Luckily for Roth, he was extremely charismatic
and energetic, and got by on that. So how does the situation differ
with Hagar? He actually can sing.
From the minute you hear Hagar growl at the very start of the
album ” Hey Baby…” you know that Van Halen made the right
choice in going after Sammy. Hagar gives each track all he’s got,
whether it be sultry growls on “Good Enough” to arena rock screams
on “The Best Of Both Worlds,” or plaintive cries on Van Halen power
ballads like “Dreams,” or “Love Walks In.” Hagar’s unbridled
enthusiasm makes up for singing lyrics like, “U.S Prime, Grade A
Stamped Guaranteed, just grease it up and bring on the heat,” on
the FDA friendly “Good Enough.” By the way, he’s referring to a
woman, in case you didn’t catch that. Hey, this is Van Halen after
all, right?
1984 was the album in which Van Halen truly embraced
synthesizers. The trend continues on 5150 to an even greater
extent, and again Eddie proves some of his synth riffs are just as
memorable as his guitar riffs. However, from this point on Van
Halen would rely more and more upon synthesizers, drum triggers and
the like. The classic Van Halen sound started to fade away with
5150. Nevertheless, Eddie was still at the point where those
“80s sounds” were a new avenue for him to take, and it would work.
The brilliant intro to the big single off the album, “Why Can’t
This Be Love” is a pulsating, New Wave-ish beat, the likes of which
never heard before on a Van Halen record. The power ballads on the
album get the full synth treatment as well. It is these latter
songs that really stood out to me while I was listening.
I swear to God, Van Halen covers Journey during this album.
“Dreams” and “Love Walks In” could easily have been on an album
like Escape. When Hagar hits the high notes on “Dreams” he sounds
an awful like Steve Perry to me. How much you like these tracks
depends on how much you appreciate a good pop song, because that’s
what they are. These songs aren’t “Running With the Devil Part 2.”
This is not the Van Halen of old.
Let’s get one thing straight; Eddie Van Halen is Eddie Van Halen
on
5150. His solos are works of art; so incredible you can’t
believe he actually performed them. Along with Angus Young of
AC/DC, I consider Eddie Van Halen to be the best in rock at writing
memorable riffs. With Van Halen, it seems like every average riff
you hear could be huge with another band. At times, I was almost
desensitized to them. Speaking of AC/DC, the title track has one of
the best riffs never to have been on an AC/DC record. “Summer
Nights” is raunchy, yet intensely melodic. This is arena rock at
its best.
So if Eddie was on, how could I give this album less than an A?
Well, it’s like this. There are no dull tracks on the album,
however there are only a few memorable ones. The Van Halen sound is
there, but it’s different. It’s not as crisp as it used to be,
there’s too much in the mix. The riffs are consistently amazing,
but at this point the fans were used to that. If this were a
Journey or Bon Jovi album, I would probably have greater praise.
However, this is Van Halen. On
5150, the band tries to add something new to their sound,
but in the process they sound a little less like the Van Halen we
all know and love.