Published on Jun 5, 2000
What the heck. I’ve stuck my neck out so many times defending
“uncool” artists that I think I’m going after the biggest target
yet. Yes, faithful “Daily Vault” readers, I’m going to review a
Barry Manilow CD, and (WARNING: I’m about to give away the review
ending) to make matters worse, I’m going to
approve of it. (Insert horrified gasp here.)
OK, enough drama. Open your mind for a moment and listen to me.
Yes, I know Manilow was responsible for some of the worst schlock
of the 1970s. (“Copacabana” comes to mind, and makes me immediately
desirous of a way…
any way… to get it out again.) He’ll do time in
purgatory for “You Deserve A Break Today”, as well. But
interspersed with these bacchanalia of banality, there were some
pretty good songs. “Weekend In New England”, “Even Now”, “Song For
Linda”… these weren’t too damn bad, folks.
So what about
2 A.M., Paradise Cafe? Well, by 1984 Manilow had, by his own
admission, lost track of why he got into music in the first place.
In an attempt to get back to his roots, he settled in over a period
of two months to write a series of jazz and blues songs, the kind
of music he’d grown up listening to — and when it came time to
record it, he was joined by his hand-picked all-star band of jazz
sidemen and the late, great Mel Torme and Sarah Vaughan. Even more
incredible, when Manilow was asked how he wanted to record the
album, he shrugged and said, “Start the tape. Let’s see how far we
can get”. And
2 A.M., Paradise Cafe was recorded in one, single, unbroken,
flawless take.
Flawless is the appropriate word, indeed.
2 A.M., Paradise Cafe is a magnificent piece of modern jazz,
torchy, rich, and sweet. There isn’t a bad song on the CD, and
there are some that are little short of magnificent. “Big City
Blues”, the duet with Torme, is funny and sad, with clever turns of
phrase. “Where Have You Gone”, “What Am I Doin’ Here”, and “I’ve
Never Been So Low On Love” are all sweet, well-crafted love
songs.
The true highlights, though, are the matched “When October Goes”
and “Night Song”. Both are ambitious works — “Night Song” is
reminiscent of Gershwin, with a complex melody and arrangement, and
“When October Goes” is, as they say, “hooky”, the melody you’ll be
humming long after the CD is off your stereo.
Overall,
2 A.M., Paradise Cafe is an excellent album for fans of
jazz, blues, or torch songs. Manilow credits it with revitalizing
his creative process, and even if you think that’s a bad thing
(that’s a
joke, people), it’s a joy to listen to.