Blog Post

2018: The Music That Meant The Most To Me This Year

Honourable Mentions Grateful Dead – Pacific Northwest '73-'74: Believe It If You Need ItThis is the Grateful Dead at the absolute peak of their powers. If you’re a Dead fan, you need this. If you’re a Dead skeptic, this could be the set that converts you. Sublime performances from start to finish. Albert Hammond Jr. – Francis TroubleA solid album of to-the-point, no-frills rock tunes. He’s best known as the guitar player for The Strokes, but if I’m honest, I think I’ve enjoyed this solo album significantly more than the last few Strokes records. Roger Joseph Manning Jr. – GlampingOne…
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2018: Tom’s Top Ten

 10. Porcupine – What You've Heard Isn't Real (EP)Porcupine have been a great, though overlooked, band for awhile now, but they're even better now that Greg Norton (Husker Du) is on board. And not so surprisingly, they're seeing more visibility. This EP of smart alt-rock and dreamy post-punk is some of the best in recent history. 9. Tres Oui – Poised To FlourishJangly pop and post-punk vibes truly do flourish on this '80s-esque album that's made for fans of The Smiths, The Cure, or even Dinosaur Jr. 8. The Persian Leaps – Pop That Goes CrunchThe second outfit of Twin Cities…
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2018: Hello Goodbye

In a year when both losses and gains felt too large to measure at times, I struggled to give my full appreciation to music. Interestingly, the artist whose body of work played the biggest individual role in my musical year didn’t even come out with a new album in 2018, though he and his band did star in my favorite live concert experience of the year (see below). It was a year of ups and downs, advances and retreats, looking forward and looking back. In the end, I found perhaps fewer musical events to celebrate, but a greater intensity of…
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The US Generation: Making The US Festival

This Kickstarter-funded documentary about the making of Steve Wozniak’s brainchild, the US Festival, focuses on the first one from 1982. While one would’ve loved full-length performances from the likes of Oingo Boingo, English Beat, and Gang Of Four, some of the more defiantly different bands of the era, you get full-lengths from the artists that are primarily interviewed like The Police, Tom Petty, and Fleetwood Mac. It’s an interesting piece to watch, but it feels more like vignettes over a full-length film. There are stops and starts throughout, much like chapters on a DVD player, so it doesn’t make the…
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The Establishment: Justin Timberlake Live

It’s an exciting time to be a concert-goer in the Milwaukee area these days! With the recent completion of a brand new arena (Fiserv Forum), for the first time in decades there is a legitimate reason for big name artists to pencil in southeastern Wisconsin on their tour schedules. The Forum has seen some famous bands open the place up: Maroon 5 and The Killers kicked things off earlier this month. But truly it was last Friday’s performer who was attracting all the attention, and his concert marked the beginning of Milwaukee’s “Big City” renaissance. That man was Justin Timberlake.…
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The High Road: Jason Isbell & The 400 Unit Live

 I know you're tiredAnd you ain't sleeping wellUninspiredAnd likely mad as hellBut wherever you areI hope the high road leads you home again- Jason Isbell, “Hope The High Road”Hanging onto your idealism these days can feel like hard work. Every day there’s some piece of news that makes you shake your head, that feels almost designed to make you feel a little more cynical or a little more hopeless. And then along comes a guy like Jason Isbell—an Alabama-born singer-songwriter with a hell-raising past and barely half a dozen years of sobriety, singing artful, incisive songs about hope and connection…
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Mellow Is King: Band Of Horses Live

I ended up seeing Band Of Horses live in Richmond, VA after friends from Lynchburg were unable to attend and gave me their tickets, and I was at least slightly impressed. Let me explain.First off, anyone who knows me and my musical taste knows I am the farthest thing from mellow. So, when openers Bonny Doom took the stage, I was underwhelmed. The music wasn’t bad; it was like a mixture of Luna with mid-career Wilco. There were moments when the band were ready to rock out, but then it was just a tease and they went back to their…
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The Slits: Here To Be Heard

So by now it seems every band, good or bad, has a documentary about them – everyone from Kings Of Leon and One Direction to Foo Fighters and Circle Jerks. Some are great, some are bland, and others are just eh. This film about U.K. female punk/dub pioneers The Slits unfortunately falls into the bland category. There’s nothing wrong with the band at all; it’s just the film feels a little flat and could’ve used a little bit more love, like the recent L7 documentary. All female led, not selling sex, full of energy and reggae and dub influences, The…
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Light You Up: Shawn Mullins and Max Gomez Live

Yeah, okay, fine, he wrote that song on the radio, the one that went “Ev-uh-ree-thing’s gonna be alright / Rock-a-bye” while extending “everything” to four distinctly enunciated syllables and most of an octave—but Shawn Mullins is and always has been so much more than that one magical earworm. By the time “Lullaby” and the album it sprang from, Soul’s Core, came out in 1998, Mullins had already been an active recording artist for nearly a decade, and he’s kept at it steadily ever since, building a repertoire of soulful Americana that reaches into blues, country, rock and pop in search…
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On Vinyl

When I was a kid, vinyl was dead and that seemed like a good thing. Outdated sound, very hard to store and very retro. It was all about cassettes and CD’s later when I got older. I loved music from as far back as I could remember and I was about 12 when I started receiving CD’s and I just loved them. I started collecting and listening to whatever I could not long thereafter. I’ve always had an affinity for CD’s, the booklets, the sound, everything. But when I was getting ready to enter college, I decided to start looking…
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