Blog Post

Waterslide’s Mark Doyon: The Daily Vault Interview

Waterslide’s mastermind, the musical chameleon otherwise known as Mark Doyon, has been lurking around these parts for some time now.  Little did I know when I reviewed the 2004 debut of Mark’s previous musical incarnation, Arms Of Kismet, that it would be the beginning of a series of conversations that continues today, with the June 19 release of Waterslide’s debut album Lincoln Signal.  In trying to come up with a shorthand for what makes Mark so special as an artist, I’m left leaning on the words of others.  When Apple encouraged us a few years ago to “Think differently,” they…
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Rocking The Plains (or, Bayside’s Magic Number)

The magic number at the Exit.Emergency / Into It Over It / Make Do And Mend / Polar Bear Club / Bayside gig at Gabe’s Oasis was not five (the number of bands playing would be too obvious) nor was it one (the number of Aleve pills used to battle my 15 year-old daughter’s headache). Rather, the magic number, per my daughter, attending her first real rock show with her dad, was 37. That was the number of times the F word was used during the second act. But that’s getting ahead of the story. As I walked into the…
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The Book Of Drugs: Mike Doughty Gets Out Alive

I made it.  That was my first reaction upon finishing The Book Of Drugs, the memoir by singer-songwriter and former Soul Coughing frontman Mike Doughty. It was no sure thing for awhile there; after the first 120 or so pages I was pretty sure this was the most infuriating book I’d ever read. The form alone irritated me—a faux-epistolary style where there’s no attempt at building any sort of narrative; one anecdote simply blurs into another for page after page after page. But what really drove me to distraction around page 100 was my strong desire to grab Doughty by…
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Lindsey Buckingham: Alone and Kicking

Alone on a bare stage decorated only with an area rug and a sizable amp rig, two songs into a taut 90-minute set that epitomized words like “intensity” and “masterful,” Lindsey Buckingham paused to contemplate the long, twisting trail that has led the Palo Alto native to the top of the rock world, around the globe and back to Carmel's 800-seat Sunset Center as a still-vital solo act. The “big machine”—the musical juggernaut Fleetwood Mac, of which Buckingham has been a part for 27 of the last 37 years—and the small machine—solo recording and touring—nourish and feed off of one…
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Jethro Tull’s Ian Anderson: The Daily Vault Interview

Ian Anderson's name may not be on a lot of lips today, but his alter-ego in the form of the band Jethro Tull is a phenomenon dating back over 40 years whose work is recognized around the world. His songs are ubiquitous on American classic rock radio, and he’s still on the go at 64, staying busy touring both with Jethro Tull and as a solo artist. Back in 1972, flush with success from their groundbreaking release Aqualung, the band recorded a concept album consisting of a single 45-minute track titled Thick As A Brick. Concept albums were nothing new,…
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Remembering Ronnie Montrose

Like a math problem I could never quite solve, my teenage years were filled with more variables than constants. Through the changes—and occasional outright chaos—one of the constants was my passion for music. And one of the constants I measured that passion by was Ronnie Montrose.Five years after it came out, that first eponymous album (Montrose, Warner Brothers, 1973) was a staple of my high school years, one of those rare albums that every single member of our group of compadres—Geoff, Tor, Neil, Jason C., Mike, Khal, Andy (RIP)—would always say yes to giving another spin. Songs like “Rock The…
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15 Years: Why I’m Still Here

I started writing for The Daily Vault in October of 1997, nine months after site founder Christopher Thelen opened the doors. (For roughly the 734th time: thanks, Chris.)  Since then I’ve authored more than 550 reviews for the Vault, not to mention a few dozen interviews and essays, and a thousand or so blog, Facebook and Twitter posts. I’ve been the editor since January 2003, nine years now, three-fifths of the site’s lifespan. So, why am I still here? I think that’s not just a fair but a necessary question to ask from time to time. You should never do…
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15 Years And What Do You Get?

The Daily Vault is celebrating quite a milestone in its existence. Web sites come and go with a great deal of rapidity in this day and age but The Daily Vault has endured for 15 years. So, 15 years and what do you get? 15) 3,105,000 words in print. Let me say that this is a mathematical estimate, as I lost count at just over two million. 14) 350,000 minutes of music. This is another estimate. I got as far as the Lorne Greene album and couldn’t go any further. 13) Just over 7025 reviews. That is a lot of…
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2011: The Magificent Mainstream

Sometimes radio rewards me with something I actually want to listen to. In a year where songstresses like Adele and Florence Welch are reigning supreme and the indie acts I remember debuting are now six albums deep, there was much to love. I found a handful of albums that I played to death, and while that means I neglected some indie standouts, some of the discs here are guaranteed to be my favorites for years to come. Florence + The Machine – Ceremonials Continuing her reign as one of rock’s coolest, boldest singers, Florence Welch of Florence + The Machine…
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2011: Best of

So, for about ten years, we've been told that the Internet has fractured popular music to the extent that there would be no more "blockbuster" acts of universal appeal. That theory had to undergo revision this year with the release of Adele's 21. It dropped in January and for the rest of 2011, it stayed in the Top 10. Other artists have accomplished similar feats over the past decade (see Norah Jones or even Adele's most compared peer, the late Amy Winehouse), but Adele managed to lure hip-hop fans into her world as countless remixes of her songs hit clubs…
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