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Jean-Paul Vest of Last Charge Of The Light Horse: The Daily Vault Interview (2018)

The first three albums released by Last Charge Of The Light Horse, the vehicle for the songs and voice of Long Island singer-songwriter-guitarist Jean-Paul Vest, each won Indie and/or Album Of The Year awards from yours truly in the Daily Vault’s annual “Best Of” recaps. The January release of the group’s fourth full-length Race To The Sound thus immediately qualifies as an event. And it lives up to expectations; from narrating the creator’s eternal battle with self-doubt, to examining a particularly twisted relationship, to celebrating burdens suddenly lifted, Race To The Sound is filled with searing moments of insight described…
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Celia Cruz: American Musical Legend

When famous Cuban American singer Celia Cruz took the stage at the Zaire ‘74 festival to sing her hit song “Quimbara,” all the well-known elements of her dynamic stage shows were present: her ecstatic dancing, loud outfits, big hair, and unmistakably powerful voice. The mostly Zairean audience members were exceptionally responsive to Cruz’s vivacious display of Latin American rhythms and cultures. This was unsurprising given that she had already become a global force, as had the salsa music movement she helped spearhead. B.B. King, James Brown, and Miriam Makeba also performed at Zaire ‘74. But, singing and dancing amidst the…
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2017: More Years More Music

In. 10. Lorde – MelodramaI liked Lorde’s debut album a fair bit, but things could have gone either way with this follow-up. Either she could have repeated the same style with weaker songs and fizzled out, or she could have built on her strengths and grown into an even better pop artist than she already was. Thankfully, she picked the second option. The album is a bit inconsistent, but the best songs (especially the ballads) show Lorde developing into a legitimately great songwriter, and I look forward to continuing to follow her career. 9. Neil Cicierega – Mouth MoodsOur good…
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2017: Tom’s Top 10

10. Bill Scorzari - Through These WavesRugged, soulful Americana with distinct gravelly vocals that make you want to build a cabin in the mountains and learn how to play the banjo. 9. The Jerry Cans - Inuusiq/LifeFeaturing throat singing mixed with indie rock and country, this is one of the most unusual and interesting albums of the year from a band who live somewhere most people have never heard of (Nunavut).8. Baby In Vain - More Nothing Baby In Vain is a t trio of females from Denmark with a penchant for noisy alt-rock. On this album, they align themselves…
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2017: Apocalypse Wow

In my little corner of the world, 2017 was a good year, with welcome moments of personal joy and accomplishment arriving right alongside the tougher stuff. Out in the world, 2017 had an almost apocalyptic feel at times—and then there was the smoldering debris of the music industry, which left me puzzled as to how to even approach putting this list together. For example: what does it even mean to be an “indie” act in an era when labels are dying on the vine and bands with multiple chart hits on their resumes are funding their albums on PledgeMusic? My…
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2017: Pete’s Top 10

Twenty seventeen was a lot better than 2016 in more ways than one. True, we lost Tom Petty, Chuck Mosley, and Chris Cornell, but personally, things finally began looking up. Along the way, there were some great soundtracks to back up everything that was going on. Let’s take a look back, shall we? 10. The Full Counts – First OutStarted by former members of ‘90s alt rockers Gumball, The Full Counts put out a record that record was quite different from what I’ve been listening to. But I felt drawn to it and have kept going back throughout the year.…
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Finding Joseph I: An Oral History Of H.R. From Bad Brains

H.R., the legendary singer of the equally legendary Bad Brains, has had a very interesting life. This documentary does a very impressive job of talking about his career and the myriad of issues surrounding him offstage. Some of the greatest insight comes from H.R.’s brother, Bad Brains drummer Earl Hudson. This is actually the most I think I’ve ever heard Earl talk and what he talks about is fascinating, namely their childhood and H.R.’s subsequent decline into what is basically undiagnosed mental illness. His friends and bandmates in his various reggae bands also talk at length about H.R.’s solo career.…
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Beside Bowie: The Mick Ronson Story

This long overdue retrospective documentary of legendary guitarist Mick Ronson is quite interesting. Interviews with friends, colleagues, admirers, and the occasional voiceover from Bowie himself paint a picture of a musician who was one of the most talented of his ilk. Not only could he play like a demon, but he could arrange and produce as well. For the most part, he will be remembered as Bowie’s partner in the Spiders From Mars, and a lot of time in this documentary is used to talk about his association with Bowie. Bowie’s former wife Angie tries to steal the show with…
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L7: Pretend We’re Dead

If you’re not familiar with L7, then watch this film and you will be. Four rockin’ badasses from Los Angeles formed the ultimate female alternative rock band and took the ‘90s alt rock underground by storm. Hell, 1992’s Bricks Are Heavy spawned three of the most memorable songs from the alternative rock explosion: “Pretend We’re Dead,” “Wargasm,” and “Shitlist.” This documentary is a bit different from most other rock docs; you never see the ladies of L7 on camera, only in voice-overs. But through scattered praise from fans including members of Garbage, Distillers, Bratmobile, and others, it is highlighted just…
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Runnin’ Down A Dream

Legend has it that it took 100 takes in the studio before Tom Petty was satisfied that he and the Heartbreakers had done full justice to “Refugee,” the leadoff track on 1979’s Damn The Torpedoes. The song turned out to be their breakthrough, the single that lit a rocket under their until-then gradual transformation from regional up-and-comers into breakout national stars. I like to think that stubbornness wasn’t so much about perfectionism as a determination to get the most you can out of the materials you have to work with. That always seemed to be the Petty ethos, right down…
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