Published on Sep 18, 2009
Natalie Walker’s sexy, luxuriously blasé take on folk music is more interesting on paper as an idea for folk reformation or rebellion than as the perfectly executed Urban Angel.
The laid-back, urban trip-hop style that Walker espouses gives a wonderful effect along with her breezy vocals, which are mellow but not stoic. A number like “No One Else” with only the slightest of musical touch shows the true gorgeousness of Walker’s vocal charisma. Also “Right Here,” even with its distinct stylistic resemblance to Tori Amos, has the intense captivating effect that Walker’s vocals have when they are at their best.
Ironically, it is the tracks with expansive production and greater urgency (album-openers “Crush” and “Quicksand”) that go against the grain of the rest of Urban Angel that have any sort of lasting impact: Walker has a completely different (and totally electric) appeal when she is not so nonchalant.
This release is no testament to Walker’s immense talent. She doesn’t need to create a brilliant album to show how brilliant she herself is. But in case she does, that would be a pretty sweet deal.
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