Published on Aug 10, 1999
Back in October, when I reviewed
Swingin’ Stampede, the debut disc from The Hot Club Of
Cowtown, I questioned whether this band could really be called
Western swing jazz. With the exception of some of the guitar riffs
from Whit Smith, what I was hearing was definitely Western swing,
but not too much jazz.
Now, less than a year later, the trio of guitarist/vocalist
Smith, violinist/vocalist Elana Fremerman and bassist/vocalist
Billy Horton return with their follow-up album
Tall Tales, a disc that sharpens the sound they created for
themselves and sets them apart as one of the leading bands playing
a more traditional kind of country music these days.
Like the last time, you really do need to have an appreciation
for country music going into this disc… and I ain’t talkin’ Garth
Brooks. I hear this trio perform, and my mind travels back to the
days of Hank Williams, Sr., when country was a developing form of
music past what the movie cowboys would sing. But if you’re more
into the modern country music, this might take a little time to
adjust to.
Musically, the disc takes the foundation they built and improves
upon it. There is more confidence in both the songwriting and the
performance of songs like “Draggin’ The Row,” “Darling You And I
Are Through” and “Bonaparte’s Retreat”. If
Swingin’ Stampede was the definition of their sound,
Tall Tales is the declaration of their musical
independence.
Smith still doesn’t get too many chances to really let loose on
his six-string, but when he does, he proves that he is both a
talented and versatile guitarist. Fremerman’s vocals and violin
work are unique and needed building blocks to the band’s sound,
though I’ll admit I still am not the biggest fan of “fiddle” work.
Sorry, dear, but in my two-volt brain, I’ll always hear the violin
as a tool of Vivaldi than hoedowns.
Tracks like “Emily,” “Polkadots And Moonbeams” and “Joe Bob Rag”
help to make
Tall Tales an experience you’ll want to relive over and over
again. There still is a little room to grow with this band, and I
don’t think they have achieved their level of greatness just yet.
But they’re inching closer with each album – and if this band were
to get the right breaks, they might represent a new wave in country
music.
Tall Tales is a nice improvement over The Hot Club Of
Cowtown’s last album – and that’s no lie.