Published on May 2, 1999
Imagine Cher singing country-tinged alternative rock. Maybe it’s
a little hard to picture – or maybe it’s just something you don’t
want to picture.
Tina Schlieske has a singing style just like this, but she puts
enough of her own attitude and style into it to make it an
interesting voyage.
It’s All Just The Same, the latest release from Tina &
The B-Sides, is a challenging album to listen to, and is one that
you’re not going to grasp on just one listen. But if you have the
time and the patience to put into such an album, the effort will
prove to be worth it.
Schlieske’s vocal swagger comes forward early on in the album;
the cut “In My Own Time” builds from a complicated acoustic guitar
rhythm lick to the vocals, eventually folding the rest of the band
into the mix. The one negative I heard was in the moment the band
kicked in with the electric side of things; the sound seems, well,
dirty… no, muddy is more like it. Whatever the case, it’s a sound
you quickly find yourself hoping isn’t on the rest of the album.
(Fortunately, it isn’t.)
When Schlieske and her assembled crew of musicians (including
her sister Laura on background vocals and a few varied instruments)
turn the faucet to “rock”, things roll pretty smoothly. Tracks like
“Grey,” “She’s Undone” and “No Way Of Knowing” all stand out on
It’s All Just The Same. And while the country-fried moments
are by no means terrible, there is a noticeable dip in the energy
level of the music. It’s easy to get excited about the rock
numbers, but it’s a little harder to build up momentum for the
country-tinged songs while you’re listening to them. (This is by no
means saying that Schlieske should abandon the country side of her
music.)
Some cuts like “No Holdin’ Back” and “Fall From Grace” all show
signs of promise, but also bear marks of hope left unfulfilled.
Likewise, “Take Me Down (Tonite pt. II)” could have been a great
song, but this particular track falls prey to a common enemy of
music: repetition. Something as simple as a little more development
in the song – even just in the lyrics of the chorus and outros –
could have helped significantly.
But there are moments where the country influences show the
power of Tina & The B-Sides. The one track that sticks out in
my mind is “I Am Forsaken (Kentucky Song)”, which could well be the
best track on the album.
I thought I was ready to write a review of
It’s All Just The Same after a cursory listen, but after I
relented and threw it back into the CD player, I discovered many
more things to like about the disc that I hadn’t heard before.
Listeners will quickly discover that this is an album that you
can’t just slap on as background noise; you have to spend some time
listening closely to what’s unfolding in front of your ears – a
discovery process that could take a few listens. I question if the
average listener has that kind of time to invest, never mind
whether or not they’re willing to put that kind of an effort into a
CD.
Don’t get me wrong, there is a lot on
It’s All Just The Same that is worthy of your attention, and
the more you listen to the album, the more you’ll find to like
about it. But if you’re someone who goes on first impressions alone
– as I almost did – then you might not be willing to give Tina
& The B-Sides a fighting chance.