Published on May 13, 1998
For eight years, C.J. Ward experience both the world of punk and
the world of rock first-hand as the bassist for The Ramones. The
lessons he learned onstage with one of America’s best-known punk
acts were incredibly valuable – and now, he’s ready to show the end
result of those years of schooling.
Ward’s band, Los Gusanos, takes the best parts of the Ramones,
and dares to add something else into the mix – real chord
structures! The songs on their recently-released debut album
Los Gusanos demonstrate that this band is the next step
forward from the ashes of the Ramones, if not a little rougher in
the sound.
In Los Gusanos, Ward trades in his bass for the double-duty of
rhythm guitar and lead vocalist – and one would be a liar if they
said that Ward didn’t sound a little bit like Joey Ramone. Lead
guiarist “Dirty” Ed Lynch, bassist “Big” John Chadwick and drummer
Bo Matheson round out the quartet, all of whom add just the right
amount of punch to the mixture to make this band sound unique and
fresh.
Unlike what you might expect from Los Gusanos, the band actually
takes the time to develop the songs on this one into some
occasionally heavy, often powerful works. The difference is heard –
as well as the eventual similarities – right from the word “go” on
“Bad Day”. Ward and crew go after your eardrums with a 2-X-4 and
they don’t stop for forty minutes.
The development of songs instead of teen anthems is a refreshing
change of pace, as heard on cuts like “Strip,” “Reciprocal” and
“Helldorado”. In fact, when listening to this, one wonders why Ward
wasn’t given the chance to express himself more in The Ramones.
Even “Blue Sky” might shock the by-the-rules punk fan – this wasn’t
a song the boys thought up just before they strapped their
instruments on.
There are only a few letdowns on
Los Gusanos. “Burnin’,” an ode to wonder weed, might be a
favorite of Howard Stern’s, but to my ears, it was an
under-two-minute waste of time. The overall groove of the album
lets up a bit near the end, even though it picks up significantly
on the final track “On My Way”. And, perhaps the greatest
disappointment – why didn’t they include their cover of Ten Years
After’s “I’d Love To Change The World” on this one? I really would
have liked to have heard what they did to it.
Los Gusanos is a natural progression from Ramones to
new-punk, eventually to a sound and style all its own. While Ward
and crew still have a little work to do, this is a solid first
effort that is worth checking out.