Published on Sep 27, 2005
The nice thing about artists like Frank Zappa is that they had
the foresight to have a tape machine running almost constantly,
thereby guaranteeing the fans that they’d never run out of new
things to listen to, even after the artist had long left this
world.
The Lost Episodes, the first posthumous disc from Zappa (
Civilization Phaze III had been planned as a release prior
to Zappa’s death in 1993), is a surprisingly cohesive collection of
songs, ranging in quality from “historical interest” to
studio-polished. Why some of these cuts never saw the light of day
prior to the release of this disc is a mystery, but thankfully they
were indeed released.
Containing a lot of material from pre-1970 (including some of
the earliest Zappa recordings from the ’50s), one could assume that
this disc is aimed at the early Mothers Of Invention fans – but
this wouldn’t be totally correct. Yes, there is plenty of material
here to make fans of work like
Freak Out! celebrate – an early version of “Any Way The Wind
Blows,” selections from Zappa’s score for the film
Run Home Slow and a true jazz version of “Take Your Clothes
Off When You Dance” (which is an outstanding version) will
definitely be pleasing.
Yet even back in the early ’60s, one could see the germination
of the seed that was Zappa the serious composer. Certainly the
pieces from
Run Home Slow suggest this, but so does the “Mount St.
Mary’s Concert Excerpt,” even though it appears to have been
humorous in nature. Zappa was already interested in Varese at this
stage in his life, so it’s not terribly surprising that he’d be
experimenting with serious music even this early in his career. I
only wish there was more of this particular concert featured, so I
could have really gotten a feel for what Zappa was trying to
accomplish.
There is plenty of humor abundant on
The Lost Episodes, including a hilarious doo-wop send-up on
“Charva,” but Zappa also shows how serious of a student he was of
the genre, as heard on “Fountain Of Love,” co-written with Don
“Captain Beefheart” Van Vliet. Likewise, the medley of “Wedding
Dress Song” and “Handsome Cabin Boy” provides an interesting
portrait of Zappa the young man, and is highly enjoyable.
Even as his career progressed, the quality of the music did not
diminish, as versions of “Wonderful Wino,” “RDNZL,” “Inca Roads”
and an 11-minute take on “Sharleena” demonstrate. Not only do these
versions build on their more well-established official releases,
but they add whole new aspects to the songs, again making me wonder
why Zappa declared these to be not ready for the spotlight.
There are a few questionable inclusions, such as “Cops And
Buns,” detailing one of the many warnings that Zappa and crew
received from the men in blue, as well as “Basement Music, No. 1,”
which I’m still trying to figure out. These aren’t bad tracks, but
one wonders why they were included with such high water-marks from
the Zappa archives.
The Lost Episodes is the kind of disc that makes you wonder
just what other treasures lie hidden in the Zappa tape vaults, but
it also shows the high standards that Zappa had for his work. Many
of these tracks are excellent, yet they never saw the light until
1996. This is definitely not a barrel-bottom collection, and
deserves to be placed among Zappa’s best releases during his
lifetime.
2005 Christopher Thelen and “The Daily Vault.” All rights
reserved. Review or any portion may not be reproduced without
written permission. Cover art is the intellectual property of the
Zappa Family Trust / record label, and is used for informational
purposes only.