Published on Sep 22, 2005
Being back at college usually means one thing to a student; you
don’t have time to do much of anything. For me, that includes the
opportunity to really listen to music, although somehow I find the
time. Usually, I’m not in the mood of proper frame of mind to check
out something experimental (though I am giving jazz a shot this
year — expect a Miles Davis review soon). So when perusing through
my library, the first instinct is to pick something accessible.
Enter
Can’t Buy A Thrill.
Lord knows that Steely Dan has been at the top of my list for
bands I’ve tried to like. After giving
Aja and
Two Against Nature a few spins, things didn’t change. Both
of those albums were too sterile, too perfect. Luckily, I then
heard
Thrill, the debut album from Steely Dan.
The sound of
Thrill is decidedly different from Dan’s later albums.
Instead of the smooth, jazz/rock stylings of Fagen and Becker, the
listener gets a pop/rock effort. Don’t be fooled, though; there is
some damn good pop to be found. “Do It Again” features one of the
great opening percussion beats of ’70s rock; it gets in your head
and refuses to leave. “Dirty Work” and “Midnight Cruiser” are the
underrated gems of the album. Check out the gorgeous harmonies on
the former and the powerful, driving refrain on the latter.
Of course, the other massive hit would be “Reelin’ In The
Years.” This may be blasphemy, but whenever this track comes on, I
skip it. Maybe it’s the massive amount of overplaying it has
received throughout the years, but there is just something about
the track that doesn’t appeal to me. On some level, it doesn’t rock
as hard as it should. It has the same problem as The Eagles “Life
In The Fast Lane;” one keeps expecting it to just take off, and it
doesn’t.
Unfortunately, save for “Change of the Guard”, the second half
of the album fails to capture the magic of the first. There are
many retreads to be found among the scattered high points. “Guard”
was a song I heard on the radio a long, long time ago. The chorus
and its ensuing guitar riff stayed with me for years, so I was
overjoyed to rediscover it here. “Brooklyn (Owes The Charmer Under
Me)” sets a easygoing, peaceful mood, and features some wonderfully
gentle vocals.
In terms of substance, save the opening track, there isn’t much
on
Can’t Buy A Thrill. However, what it provides is the
opportunity to just sit back and listen without having to analyze
much. Just go along for the ride, you’ll enjoy it.