Published on Sep 20, 2005
I cheerily admit to a bias here, right off the bat.
See, I know Heather Jinmaku. Not well, but I do know her; I
first saw her sing at Pagan Spirit Gathering 2003 as a beautiful
but nervous young woman with a guitar. She sang at the morning
meeting and absolutely blew my socks off — a neat trick, since I
wasn’t wearing socks. She had a magnificent, rich, expressive voice
that could alternately growl like a summer storm and soar like a
phoenix. When you add in the fact that she is one of the sweetest
people I know, it would be hard for me to say bad things about her
music.
When I went back to PSG this summer and realized she had a CD
out, finally, I wheedled myself into a review copy. And guess what?
I don’t have to say anything bad, thereby saving myself from a
moral dilemma.
The Balance, Jinmaku’s debut CD, is a truly magnificent,
powerful and brilliant piece of work.
Nominally, Jinmaku is a pagan folk artist. However, she has a
tendency to veer into blues and rock, and she handles those musical
forms with equal aplomb and grace. The production on the CD is
elegant, spare, and wonderful, and the musicianship is excellent.
(Special kudos to Mark Witters’ guitar on some of the bluesier
numbers, most notably “Ding, Dong, The Witch Ain’t Dead”. Dude can
smoke.)
There isn’t a bad track on
The Balance, but special note should be given to the eerily
beautiful “One Night,” the poignant “Daedalus,” the title track,
“Heartfelt,” “Back To Beltane,” the aforementioned “Ding, Dong, The
Witch Ain’t Dead” (one of the funniest songs it’s been my privilege
to hear in a very long time), and the soaring “Merry Meet,” the
CD’s close. I remember falling asleep in my tent at PSG to Heather
singing “Merry Meet” from the stage across the road, and it was
magnificent.
Heather Jinmaku is a wonder — a gentle, light-filled soul who
can also kick out the jams like nobody’s business.
The Balance is a great, great debut, and I look forward to
more from her.