Unleashed In The East – Christopher Thelen

In one sense, releasing a live album such as
Unleashed In The East at this particular stage of Judas
Priest’s career was a smart move. If anything, this disc marks the
close of the first stage of the British metal band’s career, as
they prepare for a level of stardom they had yet to achieve (yet
had started to taste with their previous studio release
Stained Class).

On the other hand, one has to wonder why such a slipshod-quality
release ever was allowed to even leave the cutting-room floor. A
sterile-sounding disc that has long been the subject of rumors
regarding just how live the disc really is, this hardly does the
band the justice they deserved. The first stage of their career may
not have been directly in the spotlight, but it deserved better
treatment than this.

Let’s clear up the rumor right now: according to the All-Music
Guide, lead singer Rob Halford had admitted in interviews that he
was forced to re-do the vocals on this album after his live vocals
were ruined in the original mix. Fair enough — but why does it
sound like the audience is cut-and-pasted in at times? I’ve been to
funerals that were livelier affairs than this particular show. And
do not try and tell me that Japanese audiences are more refined and
controlled — remember, this album was released at a time when many
live sets from Japan were being released. Listen to how animated
the audience is on Cheap Trick’s
At Budokan, and tell me Japanese audiences are reserved
while maintaining a straight face.

It is the lack of real interaction with the crowd that turns out
to be one of the two fatal flaws with this particular disc. The
second is the track selection – it sometimes feels that too much
material is pulled from the pre-Columbia releases like
Sad Wings Of Destiny. (I’m working from the original release
of this album; a re-issue from a few years ago included bonus
tracks from this show. One of these days, I’ll have to update the
Pierce Memorial Archives completely to CD.) So while tracks such as
“Exciter” and “Sinner” do tend to light up the speakers in a
positive way, other tracks like “Running Wild” (yes, a more current
track, I know) and “Victim Of Changes” — the latter a track I
happened to like on
Sad Wings Of Destiny — just don’t pull off the same magic
in the live setting. And what the hell happened to “Tyrant,” a
track that had some evidence of menace in the studio setting? It’s
far too rushed this time around — and Halford speeding through the
vocals absolutely kills the track.

Maybe — just maybe — if Judas Priest had put on more recent
material such as “Hell Bent For Leather,” “Better By You, Better
Than Me” or “Delivering The Goods” (two of which
are included in the remaster), this disc would have been
something special. As it stands,
Unleashed In The East is far too tame of an outing from
Judas Priest, and is not a fitting document to mark the end of the
first phase of their career.