Published on Feb 18, 2005
There must be a million stories out there of semi-anonymous
musicians who lurk in the shadows of others’ careers, working and
waiting for their moment in the spotlight, should it ever come.
Some don’t make it because they’re honestly more suited for a
supporting role than a lead one. Maybe their voice isn’t quite
there, or their stage presence is lacking, or they can perform but
not write, etc., etc. Or maybe — just maybe — their turn simply
hasn’t come around yet, and is about to.
Let’s hope that’s the case with Bob Burger, because this guy is
one of the most noteworthy talents to emerge from the ever-fertile
Jersey Shore scene since that guy named Bruce. As a songwriter,
Burger is already a certified success, having penned numerous songs
for and with Glen Burtnik of Styx, as well as Donnie Iris and Bobby
Bandiera. In recent years, Burger has performed live as a member of
Bandiera’s group, a local all-star band that has backed
Springsteen, Bon Jovi, Southside Johnny and other Shore luminaries
at a variety of fundraising events
Forget the resume for a minute, though, and just listen.
Cymbals At Dawn is Burger’s first solo album, and it’s a
sure-handed, appealing showcase for his sharp songwriting and
down-to-earth performances. Stylistically, it comes off as a
pastiche of early Dylan and middle Beatles, a series of evocative
scenes and stories brought to life with acoustic, electric,
Hammond, harmonica and Burger’s throaty vocals.
The opening “Madalynn” has kind of a George Harrison feel with
its ascending/descending chords and lilting, strummed choruses.
Vocally, though, Burger is a Lennon disciple, sounding in places
like a dead ringer for that modern Lennon-ophile Miles Zuniga of
Fastball. (That’s a compliment… I’m a big Zuniga fan!)
To add to the A-list influences, Burger adds a touch of Johnny
Cash to the chugging country-rock inflections of “Vintage Tweed”
and “Deadly Serious,” before sealing the bond with a gutsy and
surprisingly effective cover of Cash’s immortal “Ring Of Fire.”
Oh, fine, one more. “Over The Edge” is one of the more effective
Roy Orbison homages I’ve ever heard, Burger’s vocals soaring into
and out of the choruses that burst out of the steady-building
verses. If you’re gonna show off your admiration for the greats,
you’d better do it with some panache, right?
What really impressed me about this album overall, though, is
the effectiveness of narratives like the “Thunder Road”-ish “Girl
On The Side Of The Road,” the quietly defiant “Don’t Count Me Out,”
and the world-weary “Don’t Send A Girl.” They simply underscore
Burger’s skill as a writer — he’s got the goods and pours quality
in every one of these tracks.
Bob Burger may be part of the undiscovered brotherhood of
musicians waiting for their fifteen minutes, but
Cymbals At Dawn should help his cause. This is a strong
disc, full of heart and wit and expert songcraft that learns all
the right lessons from the old masters Burger clearly admires so
much.
[For more information on Bob Burger and Cymbals At Dawn
, visit
www.bobburger.com]