Published on Sep 13, 2004
In 1984, Iron Maiden was riding the crest of the new wave of
British heavy metal. Their previous release
Piece Of Mind had spawned their first charting U.S. singles
(they had already had several in Europe), MTV was saturated with
their videos, and U.S. audiences were clamoring for more. Maiden
had achieved a rarity for any band; mass opinion was that each
album they released was better than the previous. This despite a
lineup change on every album they had released prior to
Poweslave, the album solidified what many consider to be the
quintessential lineup; the incomparable voice of Bruce Dickinson,
the tandem guitar attack of Dave Murray and Adrian Smith, and the
most powerful rhythm section in heavy metal history, Steve Harris
on bass and Nikko McBrain on drums.
Powerslave carries on the progressive metal trend that was
emerging on
Piece Of Mind, fueled by Harris’ fascination with sci-fi and
fantasy literature, mythology, military history and ancient
civilizations. Not satisfied with the typical heavy metal fodder,
they explore far beyond the leather-clad cock-rock of most of their
contemporaries. As well as being much more interesting lyrically
than most metal of their time, Maiden was far more adept musically.
Most metal bands of that period were stuck in a 3-chord rut, and
there are few of their fellow headbangers that could touch them
from a compositional standpoint.
Kicking off
Powerslave is the classic “Aces High”. Harris’ tribute to
WWII Spitfire pilots. Relentless machinegun percussion provides the
perfect backdrop for the sprawling adventure tale of dog fighting
flying aces. Continuing in the war machine vein,”2 Minutes To
Midnight” is a chilling cold war tale of mercenary bloodshed and
impending holocaust.
Harris and Dickinson each offer up a swordplay epic, Dickinson
with the gothic “Flash Of The Blade”, and Harris with the fiery
“The Duelists”; aptly named as it consists mostly of blistering
duel between Murray and Smith that showcases the guitar harmonies
that have become a signature of Maiden’s sound.
Closing out this album are the 2 songs that lift
Powerslave above the rest of their catalogue in my opinion.
The title track explores the rites of succession of Egyptian
pharaohs, using lyrical imagery to describe the demise of a
god-like ruler faced with grim mortality.
In a musical coup-de-grace to close the album, Harris adapts
Samuel Taylor Coleridge’s epic poem “Rime Of The Ancient Mariner”
into 13 minute prog-metal tour-de-force. Coleridge’s harrowing tale
of a sailor cursed for his sins against nature, is prefect fodder
for Maiden’s treatment. Harris deftly translates Coleridge’s
Victorian prose without losing any of the color of the era, or any
of the epic grandeur of the tale. Flavored with shifting musical
themes and time signatures, this song alone seals their place as
the premiere progressive metal outfit.
Powerslave above any other Maiden album shows the diversity
and power that make them one of the all-time metal giants. If I
could only own one Maiden album,
Powerslave would be it.