Published on Aug 27, 2004
Young blond surfer-ish dude strums his acoustic down by the
oceanside. The girls sway around the firepit as the waves crash, a
bottle of wine is passed and the spirit of every beachfront,
hippiefied artiste from Jack Kerouac to Jack Johnson is
invoked.
Based on the cover art to
The Bottle Of Wine EP, it would be easy to dismiss Thomas
Cunningham as a caricature. Easy, and wrong.
Yes, Cunningham’s instrument of choice is the acoustic guitar,
and his vocals in places assume a laconic fireside manner. But the
instrumentation here ranges from Cunningham’s own intricate playing
(“The Bottle Of Wine”) to tasteful slide (“Sunset On The
Boulevard”) to some fairly tasty electric work (“Senseless”).
Cunningham goes with full-band arrangements on half these songs and
a rhythm section on all of them, giving him a fuller, slightly
heavier sound than you might anticipate.
The main thing to be learned from this disc, though, is that
this kid (he’s 19) can write. His songs have almost a rap feel in
places as TC catches the flow and breezes through a dense lyric
like the title track, rhyming up a storm and constantly pushing the
music ahead. (You can feel the Ben Harper influence there – oh
yeah, definitely.)
To his credit, Cunningham also hits some strong emotional notes
with lyrics, especially on the rather Shawn Mullins-y “Senseless,”
whose emotionally co-dependent narrator struggles to rescue a lover
who doesn’t want to be rescued. “She’s such a mess / Thought ‘all
she needs is a little bit of me,” sings Cunningham, and it rings as
true as his coda, in which the object of his affection goes from
screaming “I can’t go on!” to “You can’t move on!” at him.
“Chemical Monday” is another nice acoustic-and-rhythm piece
about addictions and illusions, with nice little lyrical nuggets
like “False hopes never die” and “What a day to die / The day I
feel most alive,” and some nice organ accents toward the end. The
closer to this six-track EP, “Sayonara,” is a quirky kiss-off to a
long-time relationship whose free-association chorus goes “The days
have changed / Now everything, there’s no flame”… and
actually makes sense, in the context of the verses.
I’ll confess I also have to root for Cunningham because he’s a
local No Cal boy, calling Davis his hometown and publishing this
disc on Santa Cruz-based Emerald City. I will definitely be
catching a show sometime, preferably without a surfboard in sight.
For now, you can catch this EP at
www.thomas-cunningham.com.