Published on Jun 16, 2004
Fair Warning, the fourth release from Van Halen, comes as a
bit of a relief to my ears as it shows a greater degree of the
aggressive, muscular sound I felt was lacking in
Van Halen II and
Women And Children First. After the hard rocking masterpiece
that is their debut album, the two follow-ups left me wanting more.
Following disappointing slop like “Dance The Night Away”
and”Beautiful Girls,” this album is a refreshing relief. Why?
Because they put first things first, as they should be. Eddie’s
guitar is in the forefront almost every second of this album, right
where it belongs. The core of what made VH the success it was is
purely and simply the virtuoso playing of Eddie Van Halen, and this
album is a tribute to that talent.
On the subject of the Brothers Van Halen, I want to give props
here to Eddie’s big brother Alex, whom I consider an unsung hero
among drummers. He may not be the most technical player, but he is
rock-solid, consistent, and powerful. I like to compare him to John
Bonham (Led Zeppelin). Bonzo was never an artiste per se, but he
had incredible power and was a critical part of the sound of the
Zep. Like Bonzo, Alex is top-drawer and will always rank among my
favorites, and he kicks ass on this album. We now we return to the
album review already in progress…
The band seems to have lost a bit of the light-heartedness that
was present on the first three albums, which may have been the
result of tension that was growing between frontman David Lee Roth
and Eddie Van Halen. Eddie wanted to branch out musically, and DLR
was trying to keep the band on the poster-children-for-partying
track. In the long run, it seems Eddie won this round, as
demonstrated the complete lack of cover songs. DLR was a big fan of
the covers, and was responsible in large part for their inclusion
on many VH albums (or so the legend tells). Eddie, on the other
hand, reportedly hated the covers, and agreed to record them partly
to keep the peace, and probably for the commercial potential as
well. Not a bad idea really; after all, it was their cover of The
Kinks’ “You Really Got Me” that launched their career in the first
place. Still, I have always felt that the cover songs were the
least effective of any of their work. With a few exceptions, the
cover songs tend to leave me flat. So, I was happy to find them
missing here.
Fair Warning spawned two absolutely stellar hard rockers,
“Mean Streets” and “Unchained.” First, the album opener “Mean
Streets” showcases what VH always was, and always should be about,
the badass guitar playing that put them on the map. The song begins
with a blistering guitar intro, and Eddie lays down a nasty, funky
groove that sets the standard for the rest of the album. This song
is classic VH and ranks among my favorites. DLR is in his element
as well, as this is the perfect vehicle for his particular style.
Roth never had a great voice, but more than made up for it with
great timing, attitude and knowing how to stay within his limited
range. This song in particular shows Diamond Dave at his best.
“Unchained” is another example of a timeless VH tune. A driving
rhythm, another original groove by Eddie, and lyrics that are
completely irrelevant. Everything I love in a VH track. DLR goes
into one of his now classic smarmy voice-overs (“Hey man! That suit
is you! You’ll get some leg tonight for sure!”) that has since
become synonymous with the VH legacy. This is a great song, and has
become a staple of classic rocks stations, for good reason.
The disc drags a bit when you hit the meandering “Push Comes to
Shove,” but the boys get right back in the groove and hit it out of
the park with the next track “So This Is Love,” a timeless
full-tilt boogie. Why they bothered with the lackluster
instrumental “Sunday Afternoon In The Park” is beyond me. It
doesn’t even make a good intro for the closer “One Foot Out The
Door,” which closes the album the way it opens, as it should, with
Eddie shredding off into the sunset as only he can The other high
points on this disc, “Sinners’ Swing” and “Dirty Movies,” are
textbook VH tunes, hard rockers that are derivative of the VH
standard template. The album in its entirety is guitar oriented,
hard rocking and showcases all four members at their peak. Probably
the heaviest of any VH album, and one that bears revisiting. No VH
album will ever match their debut in my opinion, but
Fair Warning comes close to that level of power and
energy.