Published on Jun 4, 2003
Even though I wasn’t planning to give Metallica’s huge box set
another glance, I put this box set in my CD player and VCR this
weekend. Instantly, I remembered why this was a dream come true
when it was released in 1993.
My wife bought this for my birthday. I have to say that it
achieves what it was after: freezing the band for a moment in time
in what had been their most successful and popular state of their
career. They had “Nothing Else Matters” played at weddings, they
had Grammys, they had a powerhouse show that rocked the world.
Riding high. Never mind the details, 30,000 feet above ground and
all looks good.
The CDs and two of the videos capture the band at different
points of their tour. The San Diego video is from the beginning of
the tour, the CDs are from one of their last dates on the tour. So,
the band achieved what they wanted, which was to capture the band,
as a well-oiled machine in the midst of what had been their most
gueling tour to date.
But, wait, there’s more.
Metallica includes a video from the
…And Justice for All tour and put that in the box set. The
Justice tour was an amazing site. The lighting rig swings down,
stage props explode, I don’t want to ruin it for you. The band’s
intense material was a flexing of musical masterpieces in waiting.
So you end up with a monster three-video, three-CD release, or, in
essence, an exercise in endurance. Just how much Metallica can you
endure in a sitting?
Can you sit through three Metallica concerts, back to back? To
this day, I find it an achievement to do so. There is a lot of
material to cover, so I’ll gloss over what doesn’t work, like the
amazingly long “Seek and Destroy” on CD 2 with a bunch of people
“helping” to sing the words “Seek and Destroy” that may work when
you see Hetfield intermingling with the crowd but, without that
element, this song gets long and boring. Then there’s starting the
third CD with the “Nothing Else Matters” ballad. Why? Why? Why not
make the second CD end with a ballad so the first track of each CD
can start with an upbeat rock song? (They later repeated this
mistake by opening CD 2 of
S&M with this song.)
So let’s go to the positive. In chronological order, the only
place to begin is the Seattle concert video, which was recorded in
1989. To clear the air, I am a huge, huge, huge
Justice-era fan. The Seattle video is perfect, mainly
because I enjoy the material so much. I can’t say a single negative
word about this video. I can watch it repeatedly. To me, the band
had hit their creative high and tracks like “Blackened” and
“Harvester of Sorrow” intertwined with “For Whom the Bell Tolls”
and “Master of Puppets” give me a kick in the ass.
Next up is the two videos from the San Diego gig. If you’ve seen
the video for “Whiplash” (yes, there was a video for this song that
actually got played on MTV), you’ve seen part of this concert. What
you didn’t see is Ulrich switching drum sets during the interlude
of “The Four Horsemen,” Hetfield trying to do a drum battle, in the
classic Buddy Rich/Gene Krupa style, with Ulrich, and Ulrich’s
undying ego as he says, more than once, “Check this shit out.”
Translation: “I think this part of our show is really cool, you
will to.” There’s something to be said for “action” not words.
Hammett plays his guitar solo with a pre-recorded rhythm guitar and
Ulrich, which sounds cool, but the whole guitar solo/drum solo
section gets long. The band is better when they are seen looking at
each other and smiling. The only thing I don’t understand about
this San Diego concert is why Hetfield has to resort to “I can’t
hear you” cliches. He would be a much better front man without
constantly saying “C’mon you mother f*ckers, let’s go!” As a group,
the band is as tight musically as they could ever be.
But wait, there’s more.
That statement is disproved when you get to the three CD concert
from Mexico City at the end of the same tour. After being on the
road for a long long time, the band sounds like they are on
auto-pilot. That can be good or bad, depending on your perspective.
On one hand, they are playing their material tight. Ulrich’s
drumming is dead-on, especially during “Sad but True” and the
Justice For All medley. Hammett’s playing on the master
material, like “Whiplash” and the encores “No Remorse” and
“Motorbreath” are insprired. You get a glimpse of the band’s sense
of humor when they launch into “Ride the Lightning” and the song
falls apart. It’s obvious they hadn’t practiced that one for
awhile. Then there’s the cover of Danzig’s “Last Caress” and the
impromptu “So What.”
But wait, there’s more.
The box set also comes with a large booklet. This booklet is a
collection of set lists, media schedules, behind-the-scenes
planning regarding what the next single should be, and, my
favorite, an invitation from a fan for the band to come to his
house for Thanksgiving. It gives fans a new perspective of all the
decisions the band has to make and all the interviews with the
media the band had to do. There’s also the “scary guy” stencil
which adds no value to this box set.
I grew tired of this box set a couple of years ago. I stopped
listening to it routinely a while back and put the CDs or videos in
now when I want to remember what it was like in 1993. You have to
remember that their self-titled release was the number one record
for a zillion weeks in a row, their videos were played non-stop on
MTV, they orchestrated a huge tour with Guns-n-Roses and Faith No
More, and they played Moscow. This box set captures their finest
moments.