Published on Aug 12, 1998
Posthumous releases have always been a messy situation. At what
point does it stop being a tribute and turns to crass commercialism
and grave-robbing? The answer is never easy — especially when the
person who dies is truly irreplaceable and unique (like John Lennon
or Stevie Ray Vaughan). To further deepen the wound, many times the
person dies without a warning — a victim of freakish coincidences.
This leaves the fans and bandmates without a chance to truly say
goodbye.
That’s probably what makes Queen’s final album of new material
interesting. Lead singer Freddie Mercury and the rest of his
bandmates KNEW he was dying of AIDS. They knew that touring and
live concerts were out of the question; that future albums would
never be. So after finishing their previous album (
Innuendo), the band went back into the studio and worked
around Freddie’s failing health. Rather than succumbing to their
worst fears, they worked whenever possible and laid down the songs
that would become
Made In Heaven.
Probably because of their situation, a lot of the songs deal
with life, death, love, loss and betrayal. The album begins with
the quiet “It’s A Beautiful Day” — which slowly builds to Freddie
singing “And no one’s gonna stop me now, mama.” It seems like an
act of defiance to the disease that is slowly killing him — his
enjoyment of the simple sunrise. The song is actually remixed to
end the album and concert sounds are added as well as the “Seven
Seas of Rhye” riff.
Other songs that deal with the life and death struggle are: “Let
Me Live” which brings a gospel choir in the background and is sung
by the three singing members of Queen (Mercury, guitarist Brian May
and drummer Roger Taylor); “My Life Has Been Saved,” and “Mother
Love” (the last song Freddie did before his death). They manage to
be both uplifting as well as thought-provoking. This IS, after all,
a man who is dying telling us that he wants to go back inside of
the womb. Also, “Too Much Love Will Kill You” seems to be prophetic
as well as a reminder of what happened to Mr. Mercury.
However, the album does not only linger on the downside of his
situation. Freddie manages to come back and sound positive and
uplifting. “Made In Heaven” reminds us to not always look down when
life is bad — sometimes looking up helps. Meanwhile, “I Was Born
To Love You” brings in their massive sound and flings us back into
Queen’s pop heyday. “You Don’t Fool Me” is another reminder that
this band was able to do what it wanted. May, Taylor and bassist
John Deacon are all in top form here and throughout the album.
Finally, on “A Winter’s Tale,” Mercury brings in his opera voice
and tells of the beauty of nature’s landscape when it is covered in
white. He sounds very reflective on this song and that may get to
you.
It is really a shame that Queen seems to be taken by many in the
States as a band that put out only a few hits. (Note to their
record company: Stop putting out compilation albums and put out a
boxed set!!!) The band was much more than the sum of its parts and
more than just a few songs. As demonstrated by the Tribute Concert
that followed his death, Freddie Mercury had one hell of an
influence on the world. The band did the right thing by going their
separate ways after his death. You can’t replace a Freddie
Mercury.
Made In Heaven is a pop swan song from one of rock’s biggest
names. If you are willing to take a trip like few others, I highly
recommend it.