Published on Aug 28, 1997
Any time I listen to Pantera’s second major-label release
Vulgar Display Of Power, my mind goes back to 1993 and my
last two weeks in college. My buddy, who I had talked into doing a
radio show four years prior, was ready to sign off of his last show
– and did, playing the song “Walk,” while uttering the most
forbidden word in radio about ten times. (Don’t deny it, Mark – I
still have the tape.)
But for some reason, I don’t often listen to Pantera, though I
like the energy they put forth in their music. It was only after
receiving an e-mail from reader Leonardo Palazzo that gave me the
prodding to dig through the Pierce Memorial Archives (buy two, get
one free) for
Vulgar Display Of Power. and after repeated listens, the
overall groove is great, but it almost seems like the band was
missing something.
Lead vocalist Phillip Anselmo screams like he is being
electrocuted (I honestly don’t know how his vocal chords have held
out), but he also occasionally proves that he can sing. Guitarist
Diamond Darrell (one hopes he dropped the nickname “Dimebag” after
Anselmo almost died of an overdose last year) has a tone that is
unique in the field of heavy metal. Rounding out the crew is
drummer Vinnie Paul and bassist Rex, whose work on the four-string
had impressed me on their previous album
Cowboys From Hell.
“Walk” is still an incredible cut – a killer guitar riff with a
thumping bass line intro drags the listener by their lower lip into
Pantera’s world. But to me, the songs that show off the band’s
talents better are the two tracks that follow it: “Fucking
Hostile,” which throws around tempos like they were matchsticks,
and “This Love,” which shows off all too infrequently Anselmo’s
singing. The guitar build from Darrell is also a highlight on this
one.
And a nice feature of Pantera is there is not a lot of
showboating on this album; each musician is allowed enough room to
display their prowess, but they also know they have a job to
do.
Anselmo’s screams often make it difficult to figure out if
Pantera is discussing something good or with contempt. “Mouth For
War” seems to border on the latter, as does “No Good (Attack The
Radical).”
For sheer musicianship and tonal qualities,
Vulgar Display Of Power is worth it. But it almost seems
like the band is holding back on their power at times – as if
they’re torn between going balls-out and putting a little more
thought into the music… even if it meant slowing down their audio
attack. This question of direction weakens the album a bit – the
second side, while enjoyable to listen to, really doesn’t stand out
in my mind. (The band would show they found which direction they
wanted to go in on their following release
Far Beyond Driven.)
I also think I could have lived without the use of the “talkbox”
on one song – remember we talked about this device’s use a few days
ago while discussing Bob Marley? When used correctly, the talkbox
emphasizes a point; the problem is most artists don’t know the
correct use of it. (I’m not singling out Pantera; even Peter
Frampton dropped the ball in his use of it.)
Reviewing heavy metal – especially speed metal – is a difficult
task, simply because the music is so subjective. Each listener will
get something different out of it, making it that much more
difficult to put into a review a general opinion. To this listener,
Vulgar Display Of Power is a demanding, but rewarding,
listen, though Pantera’s best was yet to come.